Cooking books & books about cooking

No, this is not related to Julia Child, whose culinary mystique I seem to have missed, being a transplant from a different culture on American soil. It’s about books on cooking in general, the writing of/on cooking and on the pleasure of food. Well, the concept of food is having a renaissance in the States, with cooking TV shows and even a Food Channel, cuisine stars such as Rachel Ray and Giada De Laurentis, and a proliferation of recipe books sold in bookstore that belie the trend of people actually not cooking at home.

But food is usually considered a mundane endeavor. Cooking is like cleaning – necessary for survival, but not spiritual or intellectual enough to deserve literati’s respect and popularity. Nobody reads poetry while timing the pasta and making the sauce. You have to be practical and expedient, not abstract and symbolic in that moment. I was not surprised by Lucas Green’s comment on packing books when he moved and “discovered that the cook books have been fornicating with the poetry books.” Yeah, these are usually not allowed to mix together, right?

Survey courses in literature vs. Bob Dylan

Stanley Fish’s column in the New York Times is probably the most prominent place where the world meets academia. After all, the world hardly reads The Chronicle of Higher Education and it’s sad these issues are otherwise largely ignored, beyond the annual college admission campaign. Getting into college seems to be extremely important, but the question of what college should actually be, now that is a conversation that that rarely happens. And it should.

Fish’s latest post is related to this existential topic, What Should College Teach? The answer to this lies in the inherent value we assign to higher education in general. It depends whether society expects it to produce independent minds  (liberal arts education) or provide practical skills (professional training).  With the trend going in the direction of practical skills and the growing popularity of majors such as accounting, it’s heartening to see that literature and foreign languages  are part of the obligatory mind-cultivation process that college is.

Theory of the T-shirt

Speaking of fashion, I didn’t delve into the question whether style is really a personal expression of self identity or just a convention, a formula offered by society and used by an individual in one combination of elements or another. Is an individual ever free, after all, to use any piece of clothing in her or his own terms to express her or his own identity? If I think that a tea gown expresses my personality best of all, am I free to wear it for an evening out without any repercussions?

How to have style

I love browsing through fashion advice books, but it’s always out of curiosity. I like to see a different interpretation of what women should look like – and how that changes through time . I never follow the advice contained in those books because I forget the specificities. And they are so different in every book.  I just enjoy the visual imagery and the interpretation  of the role of women in society expressed through that advice: do they have to make themselves attractive, do they have to learn to  be practical or conform to some rigit etiquette?

I never thought such a book would be liberating, feminist or useful for me, for what it is worth. After all, they all imply that women undeniably have to change something about themselves or to adhere to rules on how to conceal problems and boost merits. That’s hardly liberating. It is more a constriction than freedom, just as a sculptor friend of mine expressed it through her metal corset creations.

Vanity License Plates and Identity Issues

As I stopped by Leo’s workplace the other day, I noticed that almost 30% of the cars in the parking lot bore vanity license plates. That struck me as unusual – I think that among the general car population, vanity plates don’t exceed 5%. Are those car owners identity-challenged or, on the contrary, have especially loud identities? Who would want their license plate number to be so easy to remember while they are driving around committing traffic violations? And so badly that they would pay an annual fee for that? Fort Worth Renaissance Lady Sonja Cassella made me think about this issue. I started a little qualitative research.

Stories without closure

The Air France plane which disappeared over the Atlantic last month is horrible, but our collective anxiety over its fate made me thinking. And while everyone is puzzled by the disappearance, the plight of the relatives of those on board is especially difficult. They want, they need to know what happened to their loved ones, even though they know there is no hope for them to be still alive.

And in fact, this is a need shared by all. We need closure of the narrative of someone’s life. A father would grief even more if his soldier son’s body is not retrieved from the battlefield. The family of a child who vanished without trace would suffer more because of the uncertainty than if they knew for sure he is dead.

Luxury food

I often ask my students, when teaching on the topic of culture, if, in their opinion, paella started originally as a dish of the poor or the rich. Having seen paella as one of the most expensive options on the menus of expensive restaurants, they usually say that paella must have been an invention for the table of the wealthy. After all, shrimp and clams, mandatory for paella, are deluxe ingredients.

But not when the dish was first created. Fish and seafood in general was cheap food, since it didn’t need land to be farmed. It grew free and plentiful, with just labor necessary to be harvested – and that was cheap. In fact, paella is based on the concept of “small pieces of different meats and veggies, combined with rice”, which in practice means “any kind of meat, mixed together in rice”:  the perfect way to use leftovers. In most cases, paella was the Spanish casserole in which leftovers from yesterday or from the master’s table were put together to make a hearty meal.

Night at the Museum, real-history style

Speaking of museums, here is the new Night at the Museum story. I was curious to see it. First, a movie about history coming alive – or actually being alive – is a great idea. It’s stimulating for the young minds and it deserves support just for that. Second, I was also interested in it as a postmodern application of the concept that the past is constantly rethought and reworked in people’s minds. It’s also a fantastic example of what I said in my previous post: that museum artifacts are important in themselves as symbolic carriers of traditions, but what ultimately counts is what we make out of them and how they play out in our public consciousness.

However, if you want to find some special insight on history, or even something fun about it, this is definitely not the movie to see. Artifacts do come alive in this night at the Smithsonian, but they behave as their most stereotypical and one-dimension selves. Napoleon is only worried that others might think he is short. Tiny mass-produced Einsteins in the museum store are bouncing their heads in relativistic yes-no indecision. Worst of all – and most offensive – Amelia Earhart is a flirty red-head whose fixation is mainly to get the protagonist night guard to pay any sort of romantic attention to her.

Globalization of cultural heritage and nationalism

If you pay attention to the info notes at an archeology museum, you’d notice most items were acquired before 1970s. After the UNESCO Convention on Prohibiting and Preventing the Illicit Import and Export of  Cultural Property of 1970, ancient treasures have rarely crossed borders to become part of the permanent collections of world museums.

It seems like a great thing. After all, isn’t it disturbing that the most important museums in the world are venerable institutions founded around the time their countries were significant colonial powers. Their roles, beyond geopolitical conquering, was to rescue ancient treasures of civilizations past from their ancestral lands, where they weren’t appreciated enough, to the metropolis of the current cultural dominant.

The concept of museums was invented in the Enlightenment and developed during the Romanticism. While previously just erudites collected ancient artifacts privately, now collections were public. There was a specific ideology behind museums. They played a role in colonialism’s conscious drive to take on the baton from ancient civilizations. Conquering a land included also the intellectual conquest of its discovery for humankind.

Blogs for Spanish teachers

If you are a language teacher, you are most probably a passionate ambassador of the culture you represent to your students, in the classroom and outside. But even though Spanish is so ubiquitous in the USA and resources are abundant, Spanish and bilingual teachers often say they don’t have the time to stay connected with the language and culture they love. Just the research about news, keeping up with current events and cultural information can be time consuming.

If you are someone interested in Spanish, Latin American and US Latino culture, here are three other blogs I write that will help you stay in touch and learn more. And they save you time researching about literature, cinema and art of the Spanish-speaking world. Posts are monthly and discuss films, art and newly published and classic stories, poems and also children’s books by Spanish-speaking authors.